All Piet Mondrian Oil Paintings
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Piet Mondrian Red, blue and yellow composition oil painting


Red, blue and yellow composition
Painting ID::  57007 		Artist: Piet Mondrian
Painting: Red, blue and yellow composition
Introduction: mk250 Year in 1930. Oil on canvas, 72.7 x 54 cm. Private collections.
   
   
     

 

 

 
 

 

 

 
Piet Mondrian Composition II in Red, Blue, and Yellow oil painting


Composition II in Red, Blue, and Yellow
Painting ID::  58217 		Artist: Piet Mondrian
Painting: Composition II in Red, Blue, and Yellow
Introduction: Piet Mondrian, Composition II in Red, Blue, and Yellow, 1930
   
   
     

 

 

 
 

 

 

 
Piet Mondrian Composition 10 oil painting


Composition 10
Painting ID::  58218 		Artist: Piet Mondrian
Painting: Composition 10
Introduction: Composition 10, 1939-1942, Private collection.
   
   
     

 

 

 
 

 

 

 
Piet Mondrian Piet Mondrian, View from the Dunes with Beach and Piers oil painting


Piet Mondrian, View from the Dunes with Beach and Piers
Painting ID::  59905 		Artist: Piet Mondrian
Painting: Piet Mondrian, View from the Dunes with Beach and Piers
Introduction: Piet Mondrian, View from the Dunes with Beach and Piers, Domburg, oil and pencil on cardboard, 1909, Museum of Modern Art, New York City
   
   
     

 

 

 
 

 

 

 
Piet Mondrian Piet Mondrian, Composition with Yellow, Blue, and Red oil painting


Piet Mondrian, Composition with Yellow, Blue, and Red
Painting ID::  59906 		Artist: Piet Mondrian
Painting: Piet Mondrian, Composition with Yellow, Blue, and Red
Introduction: Piet Mondrian, Composition with Yellow, Blue, and Red, 1921, oil on canvas, 72.5 x 69 cm, Tate Gallery. London.
   
   
     

 

 

 
 

 

 

 
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     Check All Piet Mondrian's Paintings Here!
     Dutch 1872-1944 Piet Mondrian Location was a Dutch painter. He was an important contributor to the De Stijl art movement and group, which was founded by Theo van Doesburg. He evolved a non-representational form which he termed Neo-Plasticism. This consisted of a grid of vertical and horizontal black lines and the use of the three primary colours. When 47-year-old Piet Mondrian left his artistically conservative native Holland for unfettered Paris for the second and last time in 1919, he set about at once to make his studio a nurturing environment for paintings he had in mind that would increasingly express the principles of Neo-Plasticism about which he had been writing for two years. To hide the studio's structural flaws quickly and inexpensively, he tacked up large rectangular placards, each in a single color or neutral hue. Smaller colored paper squares and rectangles, composed together, accented the walls. Then came an intense period of painting. Then again he addressed the walls, repositioning the colored cutouts, adding to their number, altering the dynamics of color and space, producing new tensions and equilibrium. Before long, he had established a creative schedule in which a period of painting took turns with a period of experimentally regrouping the smaller papers on the walls, a process that directly fed the next period of painting. It was a pattern he followed for the rest of his life, through wartime moves from Paris to London??s Hampstead in 1938 and 1940, across the Atlantic to Manhattan. At 71 in the fall of 1943, Mondrian moved into his second and final New York studio at 15 East 59th Street, and set about again to create the environment he had learned over the years was most congenial to his modest way of life and most stimulating to his art. He painted the high walls the same off-white he used on his easel and on the seats, tables and storage cases he designed and fashioned meticulously from discarded orange and apple-crates. He glossed the top of a white metal stool in the same brilliant primary red he applied to the cardboard sheath he made for the radio-phonograph that spilled forth his beloved jazz from well-traveled records, Visitors to this last studio seldom saw more than one or two new canvases, but found, often to their astonishment, that eight large compositions of colored bits of paper he had tacked and re-tacked to the walls in ever-changing relationships constituted together an environment that, paradoxically and simultaneously, was both kinetic and serene, stimulating and restful. It was the best space, Mondrian said, that he had ever inhabited. Tragically, he was there for only a few months: he died of pneumonia in February 1944. . Related Artists to Piet Mondrian : | Jacques Blanchard | Carl Tragardh | Robert Frederick Blum | Nicolas de Largilliere | Salvator Rosa |

 

 

 
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